Traveler's View: Keep An Eye On Live Nation's Plans For Concerts In The Parks

December 1, 2015

Word that a Texas-based company owned by concert promoter Live Nation is trying to gain greater access to national parks as venues should raise eyebrows across the country.

More needs to be known about the plans C3 Presents has in mind. But the fact that the company spent $15,000 during the third quarter alone to lobby Interior Department officials is concerning. Should El Capitan in Yosemite National Park be the backdrop for Justin Bieber, Blake Shelton or Rihanna? Should the National Mall be a venue for John Fogerty, Miley Cyrus, or Brad Paisley?

No doubt, the Park Service wouldn't open up any of the jewels of the National Park System, the Yosemites, Grand Canyons, Yellowstones and Glaciers, to concerts that would draw tens of thousands of fans. But what about the National Mall, or the Statue of Liberty, which Budweiser used as a backdrop earlier this year for a concert as part of its "partnership" with the National Park Foundation for the National Park Service Centennial. (Hopefully, Bud will start promoting the parks as part of the deal, as Subaru, also a partner, does heavily...)

Where in the park system would it be appropriate for a concert the likes of those Live Nation promotes and sells?

"We create, market and produce live experiences, concerts and events — just about anything that makes people stand up and cheer," crows C3 Presents on its website. "C3 is the force behind two of the country’s top music festivals — Austin City Limits Music Festival and Lollapalooza. Every year, each of these festivals attracts more than 200,000 people over a three-day weekend and is staged in beloved greenspaces in the urban heart of its host city."

Two-hundred-thousand people over three days. Which unit of the National Park System would be a good setting for such an event? Is there one?

The Washington Post raised that sort of question in the wake of a C3 Presents concert staged in September not far from the National Mall, on West Potomac Park that is part of the sprawling National Mall and Memorial Parks complex, to help raise money to restore the Mall's grounds. That event, featuring Drake and the Strokes, came with some hefty ticket prices: "$105 per day, $150 to $175 for the weekend, and far more for VIP and Platinum passes," the Post reported.

Activists and historians who monitor the Mall say the decision to charge admission to the music festival sets a troubling precedent that could signal an end to the days of free music in the national park, ushering in an era of pricey, multi-day festivals.

“We see the National Mall as a public treasure, and it’s supposed to be free and open to the public — the museums, the memorials and the events,” said Mark B. Bennett, executive director of the National Mall Coalition, a nonprofit advocacy group. “This festival violates the intent of public access, regardless of whatever cause they are supporting.”

A historian who wrote the book on the Mall agreed.

“The Mall is America’s front lawn,” said Peter R. Penczer, author of “The Washington National Mall.” “It’s a place where people go to protest, to see the monuments, to relax on the weekend. I don’t know how it can be America’s front lawn if you’re fencing it off for a paid event. It’s for a good cause, but they are setting a bad precedent.”

That point about setting a precedent shouldn't belittled. But then, the Park Service already is moving down the road of taking a more business-like approach towards managing the parks. The Budweiser deal is evidence of that, as is that September concert in Washington, D.C.

More business-like is one thing. Putting more and more price tags on the parks in the name of poverty -- "As interest in the parks grows and appropriations remain flat, public-private partnerships continue to be an appropriate strategy to help us protect the parks and meet the needs of our current visitors and attract diverse audiences,” says Park Service Director Jon Jarvis -- and staging events in discordant settings is another.

Should the national parks be sold off in the name of trying to make ends meet for the agency? Should we have somber settings that hold memorials to Dr. Martin Luther King, Jr., the Vietnam War, or World War II, iconic settings that reflect on troubling times, be thrown open to concerts "that make people stand up and cheer"?

According to the Post story, the previous superintendent of the National Mall and Memorial Parks rejected a request for a paid-admission concert. But his successor, Robert Vogel, viewed it as a way to make money for the Mall. The resulting contract called for 10 percent of the gross receipts to go to the Trust for the National Mall, a nonprofit working to see the Mall's grounds restored.

What shouldn't go unnoticed is that C3 Presents put on President-Elect Barack Obama’s election-night rally in Chicago, staged events in Washington, D.C., in connection with the 56th president's inauguration, and even played a role in the White House Easter Egg Roll. Or that a member of Live Nation's board of directors is the brother to Rahm Emanuel, once President Obama's chief of staff. 

Not only was the decision to allow C3 Presents' paid-admission concert counter to Park Service policies stating that "all activities must be free and open to the public," noted the Post story, but it was made by top Park Service staff in the Washington office who overruled underlings.

Shouldn't units of the National Park System be more than a commodity marketed to the highest, or best-connected, bidder?

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